Hello! I’m Morgan, the 20 something behind Daydream Knits. This month, I’m participating in Slow Fashion October hosted by The Fringe Association. This month will be a celebration of the spirit and mindfulness behind the resurgence of ‘slow fashion’. Each week has different themes and a series of daily questions. The Fringe Association will host both interviews and community discussions on every aspect of slow fashion. It will be an exceptional opportunity to meet new creators and read about how the movement towards sustainable clothing manufacturing aligns with modern fashion and creatives. This first day serves an introduction to me, personally, as a creator and as a maker in the slow fashion movement.
I learned to knit about 7 years ago, but did not pick it up seriously until 4 years ago when I moved for college. There, I found a wonderful L.Y.S whose owner became a mentor in my fiber passions. I worked there for 3 years and was soon addicted to the idea of having my closet full of hand knits. During my college stay, I became very involved with the knitting community and other makers and artists throughout the area. I was soon a regular at my neighborhood farmers market, rubbing elbows with a vendor who taught me to spin yarn in exchange for company, an alpaca and bison farmer, and a Nepalese seamstress.
The paradigm shift was jarring. I’d come from a world of quick, factory made clothing, moved to hand knitting, and now been invited to see how the suppliers of my craft lived. Spending three weeks knitting a sweater? Awesome. Spending two months spinning up yarn from your own fiber animals then knitting a sweater? Mind blowing.
To me, slow fashion is hand crafted and labour intensive. It involves many hours to finish projects and the materials are viewed by a fast-fashioned world to be exorbitantly priced. As I branched into the world of fiber prep and animal husbandry, I discovered that the makers of supplies (the back bone to all fiber craft) had an even more intensive job. Here was where the decisions to be sustainable, vegan, ethical, or otherwise ‘slow’ were made. It was so easy for me to order international made yarn (which is beautiful) or even US made. However, after seeing the amount of care and effort people in my own community put forth to make quality materials, I became a dedicated ‘buy local’ advocate. Once I’d spun my own hank of yarn, I had a higher appreciation of where my store bought yarn came from. Once I learned how intensive animal husbandry was, the more I admired my Farmer’s Market vendors who raised and cared for animals year round, so every Saturday I could have my pick of quality (processed) fiber. The dedication astounded me and I further integrated myself into the slow craft world.
Last year, I was married and moved away from my college town. Though physically removed my community, I remain in touch and visit often. I still call the vendor who taught me to spin yarn and email the bison farmer. The alpaca farmer’s son (who travels the world sheering alpaca) was at my wedding. My stay in the slow fashion community has been one filled with love and close working relationships.It also prepared me to expand my ‘slow fashion’ craft to the rest of my life.
After moving, I also felt a need to purge my possessions via the Marie Kondo method. Sadly, in my overstuffed closet, I found many items of clothing that I’d never worn and were in poor condition. Those were thrown away. To my dismay, I also noticed many pieces that I loved, but had been taken care of so poorly (or made with low quality materials) that they were stained or ripped. I didn’t know what else to do except throw them all away. I have so much guilt over this! All the bags of clothing to the dump, never to be seen or loved again. I took a second look in my closet and realized that the few items that remained were of a starkly different quality than the piles of clothing I’d thrown away. The clothes I kept where special. Three sweaters I’d knit the year before, hand knit hats, “expensive” dresses I’d bought from a local dress shop.
Actually, nearly all the items that survived the move were items I’d purchased locally. They were durable and beautiful and I’d always taken special care with them. I found myself able to repair or re-wear anything that was damaged. Not only was slow fashion something I could apply to new clothes that I made, but also to old! This has motivated me so much to not only make my clothing with care and love, but also to buy my clothing with care and love. Local, hand made, personally loved, and then sold to a customer.
This is where my desire to to rebuild my wardrobe sustainably, with hand knits and responsibly sourced clothing has come from. This is why Slow Fashion October is so exciting for me as I anticipate all the other makers and crafters sharing their stories. Please, go to Fringe Association to view the weekly themes. There will also be daily prompts to guide conversation as well as many other makers posting in the comment section and on Instagram. Join the conversation!